The president of the Oak Ridge Unitarian Universalist Church, ORUUC, gave one of the April 2015 sermons. He had just come back from Selma, Alabama and the March 2015 50th anniversary of Bloody Sunday. Tens of thousands were in Selma for that 50th Anniversarty, with people packed so tightly “you couldn’t fall to the ground.” The national UU magazine shows dense crowds crossing the iconic Edmund Pettus bridge. One phrase heard that Sunday morning at ORUUC went “All those others—we weren’t like them.” “We” were in the minority.
I have been in Antigua, an island country in the Caribbean, several times for steelpan festivals and activities. There I too am in the minority. I am the one with the accent. I am not like most others there—but in ways of little significance.
“Moods of Pan” is a steelpan festival in Antigua the end of each November. One has to take care not to sunburn 🙂 . I have seen modern legends of steel such as the steel orchestra Exodus there in 2007. I have met deities of the worldwide pan firmament such as Len “Boogsie” Sharp, also 2007. I even still have a quiz show prize, a Citizen wrist watch, from Moods of Pan 2005. I flabbergasted the emcees when an obvious outlander knew enough to answer pan questions. I simply ran up to the mic at the stage with no hesitation.
One year at Moods of Pan, the Five Alive Competition was about to begin, one evening at St. John’s Cultural Center. Five Alive is of Antiguan origin and requires groups of five musicians to play pan for five minutes of prescribed pieces—usually with everything having genuinely comedic touches. Web sites state it has spread to other islands’ festivals. Google “five alive competition moods of pan festival”.
I saw many obvious pieces of trash around the Cultural Center grounds that evening. I decided to pick up the trash, hopefully before the competition started. There was a fair amount, and I saw no one doing that. I came up with a a good deal and disposed of it. I don’t remember anyone thanking or complimenting me, and I don’t remember feeling a need for thanks or complements. We were all there “In Pan”, it could use doing, and I did it. Till this morning in Oak Ridge, Tennessee in 2015 I had forgotten about it all.
Again, in Antiguan events like this I am the minority. I am the one with an accent.
I remember also that before the Five Alive competition a young lady passed by, grinned, and pleasantly asked “Doug, remember me?” I didn’t. She was referring to some visit of mine to Saint John’s pan events in the early 2000s, and, she called me by name. I didn’t remember hers. I ducked, I fumbled some reply. It was all funny. The evening and Five Alive went on.
“It happened” ….
Closer to East Tennessee home: I played pan in three parades, two of them through downtown Atlanta. One was in Gatlinburg, TN in front of thirty thousand people. I played double guitar pan in both Atlanta parades and double tenor pan in Gatlinburg. I find interesting observations to make about those in the parades and those watching the parades.
The first Atlanta parade was the 2008 Memorial Day Atlanta Caribbean Fest Parade, the second was the 2009 Chik Fil A Bowl Parade in December of that year, and the Gatlinburg parade was Fourth of July 1996. Both Atlanta parades were through the heart of the city. For wry amusement I mention that Chik Fil A Bowl in 2009 was the last UTK football game for the ill-fated Lane Kiffin. Remember that game … 🙂 ?
In the 2008 Atlanta parade the steel band played on a float—well, on a large, sightly decorated trailer pulled by an F350— maybe eight by twenty or twenty-five full of huge audio equipment and full of people, at least twenty people or even two dozen. I was the one light—that is, white—colored person on the float. I monitored chat on the float and in the crowds on the sidewalks, out of curiosity as to what might pass. I never heard any hushed or not so hushed comments like “Look at the freakishness” or “Look at the whitey” on colors.
I don’t remember the mix on the sidewalks. Which, in fact, is interesting.
The 2009 Atlanta parade occurred on a damp gray winter afternoon, with the same trailer. We had I believe four light/white color folk, including my old colleague Karen of UTK InterVols steelband days in the 80s. This parade also I heard nothing about colors, on the float or in the crowds.
“It happened.”
In Gatlinburg the ratios on the float—yes, that parade had a decorated, sponsored float —were unlike other parades, maybe two to one or fifty-fifty, but again I remember no chat regarding colors, on the float or in the watching crowds.
And, yes, I’ve been across the Edmund Pettus Bridge, but it was a “UU Tour of the Civil Rights South”, by bus, years ago. We saw in Selma what must’ve been “The Brickyard”. We met, I believe it was, the mayor of Selma, a “black woman”. Can one say she “was”, that one “is”, black? That I “am white”? I have known and seen many people who had skin pigmented dark brown or creamy white. I have seen few people coal black or albino white. Can we say there is a Black Experience? Or a White Experience? Of a sorts yes. Can we not say there are things universal beyond Black? Or White? Yes.